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This is from a question by Nathan Romer Audio = "Any advice about recording low level dialogue?"

This is a tricky balance between the technical and the artistic side of the business. You need the actor to give a true performance to be believable but if it's not technically

This is from Nathan Romer Audio "How do you approach producers/locations about noisy stuff?I shot in a restaurant and I was trying to turn off fridges/bars"

Generally this is all about giving solutions and not just flagging problems. When you go to anyone on locations

This question comes from Nathan Romer Audio = "Any advice for dealing with hairy chests and bad material? wool, silk, etc..."

Many focus on the lavalier its self but with that usually being in a mount of some kind it's generally the cable that can become and issue and

This is a question from Alejandro Reyes = "I have a question about protecting transmitter and lavalier mics in rain what's the best method for this?"

There are several ways that I have heard of and tested some:

Transmitters

You can completely cover and actually make completely water proof

This is in regards to using 2 or more different types of lavalier brands for the same shot or interview. The ones I currently own are Sanken Cos-11d and DPA 4071 with the higher presence boost.

This is taken from a live hangout I did on Youtube:

I typically don't